

Representing a new generation of portable recording, the H2n is Zoom’s most innovative handheld recorder to date. We’ve packed groundbreaking features into an ultra-portable device that allows you to record pristine audio anywhere you go.
From film and broadcast, to journalism, podcasting, musical performance, songwriting and rehearsal, the H2n provides amazing recording quality.
New Mics, New Sound
The H2n features our best microphones yet and is the only portable recorder with five mic capsules onboard. This design enables the H2n to offer four unique recording modes: Mid-Side (MS) stereo, 90-degree X/Y stereo, 2-channel and 4-channel surround sound.

The First Portable Mid-Side Recorder
The H2n is the first hand-held recorder to offer Mid-Side stereo recording, a technique used for many years in film and broadcast, where ambiance and surrounding noise are crucial. Mid-Side recording combines a uni-directional Mid mic that captures sound directly in front of you and a bi-directional Side mic that captures sound from your left and right. By increasing or decreasing the level of the Side mic, you can control the width of the stereo field, which gives you incredible flexibility over your recordings. If you record in RAW mode, you can even adjust the stereo width after recording.
X/Y Pattern
The H2n’s onboard 90-degree X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always equidistant from the sound source for perfect localization and no phase shifting. The result is brilliant stereo recording with natural depth and accurate imaging.
Completely Surrounded
Using the H2n’s Mid-Side and X/Y mics together, you can create stunning 360-degree surround sound recordings. Choose between 2-channel mode, which combines the Mid-Side and X/Y mics, and 4-channel mode, which records two separate stereo files, allowing you even more post-production capability. No matter which mode you use, you’ll get perfectly balanced, surround sound recordings.
Streamline Your Recording Experience
The H2n is remarkably easy to use. With its newly designed user interface, critical controls are right at your fingertips and make studio-quality recording a breeze.
The H2n also houses an arsenal of comprehensive functions, including Auto-Gain, a compressor/limiter, time stamping and more.
Data Recovery Function
Never again will you have to worry about losing recorded data to unexpected errors. The H2n has you covered with its new data recovery function. Whether you experience battery loss or an accidental power-down, this feature will automatically restore your data the next time the H2n is powered on.
20 Hours of Battery Life
The H2n provides over 20 hours of continuous operation on just two standard AA alkaline batteries. This astonishing feature enhances the H2n’s flexibility and convenience. In addition, the H2n can also operate using an AC adapter, which is included in the optional APH-2n Accessory Pack (sold separately).

Bigger and Brighter
The H2n’s 1.8-inch backlit LCD display (128 x 64 resolution) provides crystal-clear monitoring and makes it simple to navigate all of the unit’s functions.
Turning to Analog
Digital volume controls offer too much or too little gain, with no middle ground. The H2n’s Mic Gain wheel allows you to dial-in the perfect amount of gain for any given application.
Play Back and Listen
The H2n’s built-in reference speaker lets you know your recordings have been captured. With its 1/8-inch stereo output, you can also playback your recordings on your home audio system or listen to your masterpiece using your favorite pair of headphones.
Secure Your Memories
The H2n uses SD/SDHC cards and can accommodate up to a 32GB SDHC card for over 50 hours of recording time using the 16-bit/44.1kHz WAV format. With 128kbps MP3 format, you get an incredible 555 hours of stereo recording. The H2n comes with a 2GB SD card to get you started.
Transfer and Edit at High-Speed
Use the H2n’s High-Speed USB 2.0 interface to transfer files to your Mac or PC. Once your recordings are on your computer, you can easily store, edit, playback and share your favorite creations. You can even use the H2n as a USB microphone, letting you record directly to your computer.
Software Included
Steinberg’s WaveLab LE 7 can be used for audio editing and professional-quality mastering. By using its precise waveform editing and high-quality processing, you can refine your recordings into finished works.
Accessorize with Ease
The H2n accessory package (APH-2n, sold separately) is also available with a variety of accessories that make it easier for you to capture your recordings. The accessory kit includes a wired remote control with an extension cable, windscreen, AC adapter (USB type), USB cable, adjustable tripod stand, padded-shell case and mic clip adapter.
$ 224.99
373 of 381 people found the following review helpful
![]() LOADED with AWESOME features for musicians and filmmakers, By
Jeff Aski (Los Angeles, CA) – See all my reviews
Verified Purchase(What’s this?)
This review is from: Zoom H2n Handy Recorder (Electronics)
Customer Video Review Length:: 6:37 Mins I am extremely impressed with the Zoom H2N. I have owned other Zoom audio recorders: H1, H2, H4, H4N. I’ve also owned Tascam DR-05, DR-08, Sony PCM-M10, Edirol R44, and Fostex FR-2 LE audio recorders. I am both a musician and videographer and for the price of the H2N, it is BY FAR the most versatile audio utility device I have ever owned (until the next latest and greatest technology comes out). As a videographer/Indie filmmaker, I got the H2N because: *It has 20hrs of battery life – longest of all Zoom recorders to date. If you already own an H4N, you might still want the H2N to add to your gear. It’s a different type of tool. If you absolutely need XLR inputs for everything you do, then don’t bother getting the H2N. BUT if there are times when you only need to capture ambient audio, or only use a 3.5mm wireless lav or 3.5mm stereo Rode mic, then I strongly recommend the H2N. It’s a better tool for those types of situations. As a musician, I got the H2N because: The few negatives: If you are a musician, indie filmmaker, or event videographer and you want better audio for your projects, GET THE ZOOM H2N. You also definitely need the purchase the Accessory Pack. 0
90 of 94 people found the following review helpful
![]() Excelent sound quality!, By
This review is from: Zoom H2n Handy Recorder (Electronics)
The sound quality is EXCELLENT with all of the XY and MS Mic settings.
The display is good, Navigation is fairly logical, and it has lots of excellent software features for editing/manipulating/converting the audio, right inside the H2n unit (without external computer). It is very fast/easy to turn on and start a new recording. You will never miss that special musical performance, baby’s first words, bird call, etc. The H2n would be worth the price if you only used it as a high quality electret condenser studio mic/USB to computer interface, for recording with Logic Audio or Garage Band. Add the 2/4 channel SD card recording capability, and it is an amazing value! My only (small) gripe is with the Jog wheel. Recorded some live performances (including my own) at the local Coffee shop, last night. Very glad I purchased the H2n, it is the best portable/field recorder I have had the pleasure to use (and I have used quite a few in the last 40 years). Edit #1: The internal mics are very sensitive, with the gain turned up. Don’t forget to buy a windscreen for use in breezy outdoor conditions. Or this one from Zoom, that is half the price of the Rode: and another more powerful one from Zoom for a few buck more: Edit #2: It is the same unit as the Vantec USB External 7.1 Channel Audio Adapter: This device, (which is the size of a deck of cards and runs off of USB power) gives me better sound quality than the computers built in hardware. Happy Trails… 0
42 of 44 people found the following review helpful
![]() Great sound, a few minor functional drawbacks, By
This review is from: Zoom H2n Handy Recorder (Electronics)
I primarily use the H2n to capture my band’s rehearsals and live performances. It’s also a highly useful sketchpad for capturing ideas with a minimum of setup and fuss, particularly when compared to a computer based recording system.
Until recently I owned a Zoom Q3 (their handheld recorder with audio/video) which was either stolen or lost, and I replaced it with the H2n. Without getting into a lot of comparisons between the two, I can safely say that the H2n captures a deeper and wider sound field due to the additional mics and their orientation within the unit (Mid-Side and XY). The clear, detailed quality of the mics is about the same and I wouldn’t be surprised if they are exactly the same in each device. From here on, I’ll talk only about the H2n. If you’re not familiar with Mid-Side and XY mic patterns, I suggest a visit to the Zoom website where you can find detailed information on the patterns and features of the H2n. There is a 4 channel surround mode which records in both MS and XY (the front and rear mics) and allows mixing of the two stereo tracks after recording. This is a great feature! You can adjust the width and depth independently by changing the level of each set of stereo tracks. This means you can dial in a more pinpointed sound when needed or capture a larger sound source like a band with very good results. The 2 channel surround mode records all 4 mics to a stereo track without the option of mixing the MS and XY mics separately after recording. This is handy when you don’t want to mess around with mixing later, but still want a deep, wide recording. The other two modes are MS or XY only. All mic patterns are selected by rotating a dial on top of the unit. In all modes except XY, you can adjust the level of the MS mics before recording, which is another handy feature when you already have a good idea of how wide and deep you’d like the recording to sound. The submenu implementation and access to features is well thought-out and about what you’d expect for a device with few controls. There are a few features that require digging deeper into submenu pages, but they seem to be placed by order of priority to how often most users would need access. The metronome and tuner are welcome features that both work quite well and they’re surprisingly adjustable for such a compact device. There are a few mostly minor drawbacks worth mentioning in the design of the H2n. First, when recording a fairly loud source like a band, the mic gain can’t be set low enough to avoid harsh digital clipping when the band reaches louder moments. There are user selectable limiters built into the unit that would prevent the sound of clipping, but they shouldn’t be needed since other Zoom handhelds can be set below input clipping. By definition, the sound of a recording that doesn’t require limiting is always going to be more dynamic than what a limiter can achieve. It might be possible that software update can remedy this issue. The other problem might be particular to my H2n, but the Play knob/button (it can be pushed in or slid up and down) usually gets stuck in the up position unless I’m very careful to apply minimal pressure, and I’m not applying much. When selecting options in menus, this makes the cursor scroll past the intended selection unless I catch it in time. While mine is still under warranty, I’m planning to return it for another unit that hopefully won’t have the same stuck button syndrome. One final drawback is the tiny mic adjustment wheel, which requires use of fingernail to rotate into the desired position, and because of its stiffness, it usually stops midway between positions, so you have to be ensure that the arrow is pointing directly at what you intend. I appreciate that Zoom built the dial flat into the top surface of the H2n, which prevents the pattern from being changed accidentally, but they could have made it loose when rotating the dial between positions with a stiff detent at each position. Otherwise, this is a great sounding recording with a wealth of highly useful features and user adjustable options. I wish it included the power adapter, remote, tripod and mic stand mounts, case and windscreen, but it is understandable that this would raise the price of the H2n by , and not everyone might want the optional trinkets. I went ahead and bought all the goodies separately and they’re well worth the price for how I use the H2n. A recommended buy for musicians in particular and field recordists in general! 0 |
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